2010 – Storm Front

Storm Front brings down the house in Philly

Tenor: Jeff Selano
Lead: Jim Clark
Bass: Syd Libsack
Bari: Darin Drown

The comedy quartet Storm Front created plenty of thunderous applause and light-hearted laughter as they won the coveted Gold Medal at the Barbershop Harmony Society’s 2010 International quartet contest Saturday evening at the Pennsylvania Convention Center. The competition was fierce and the energy high among the 51 quartets participating in the Society’s 72nd Annual International Convention.

Storm Front’s members are tenor Jeff Selano and bass Syd Libsack of Atlanta, GA and lead Jim Clark and baritone Darin Drown of Denver, CO. The group placed third in international barbershop competition in 2007, sixth in 2008, and third again in 2009, which prompted them to write and perform the parody “We’ve Grown Accustomed to 3rd Place”. They also performed a medley entitled “Car Song”. Storm Front stood out in the humor category amidst mostly traditional and several contemporary barbershop quartets.

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2009 – Crossroads

Tenor: Fred Farrell
Lead: Michael Slamka
Bass: Jim Henry
Bari: Brandon Guyton

Our 2009 champs are men who have won the gold medals once before. They won in convincing fashion in Anaheim, California July 4th week during the 71st International Convention and Contests of the Barbershop Harmony Society. Their total score was 93.7% and 213 points above the second place quartet.

Fred Farrell (tenor) sang with Second Edition during their gold medal win in 1989. This win makes Fred one of the 18 multiple champs with the longest span between wins (20 years). Mike Slamka (lead) won his first gold with Power Play in 2003. Baritone Brandon Guyton won his first with Four Voices in 2002. Dr. Jim Henry (bass) won his first championship with Gas House Gang in 1993. He also holds a historic distinction by also directing his chorus, The Ambassadors of Harmony, to a Chorus Championship in the same year as they also won in Anaheim.

Crossroads considers their family to be an important part of the quartet. They boast 15 kids and one grandkid between them. Following the win they ALL spent the next day at Disneyland (all 24 of ’em).

You can hear their first studio recording project via their website. Its a true representation of this foursome’s talent and love of singing together.

They plan to spend the next year performing and continuing their quest for vocal musical perfection.

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2008 – OC Times

Tenor: Shawn York
Lead: Sean Devine
Bass: Cory Hunt
Bari: Patrick Claypool

Joy, Relief, Pride, Exuberance, Nervousness, Bliss, Apprehension, Release, Elation, Humility, Liberation, Anxiety, Delight, Gratification, Honor

What is it like to win International? The 2008 champion OC Times felt ALL these emotions and more.

Shawn York (Tenor), Sean Devine (Lead), Patrick Claypool (Baritone), and Cory Hunt (Bass) for winning the coveted gold medals in Nashville during the Barbershop Harmony Society’s 70th annual convention and contests.

They performed three consistent contest sets to win by 51 points (2700 / 2690 / 2684 = 8074). After placing 18th, 5th, 3rd, and 2nd the previous four years, OC Times had been inching closer to their goal with each attempt. Their song selections had been unique and contributed to their rapid growth and popularity.

They competed with“Don’t Be a Baby, Baby”, “Oh, Look At Me Now”. “I Want You, I Need You, I Love You”, “You’re Sixteen”, “You Belong To Me” and “Drivin’ Me Crazy”. Competing with these songs made popular by the likes of Smokey Robinson & the Miracles, Frank Sinatra, Elvis Presley, Ringo Starr, and Patti Page expanded the barbershop realm to the delight of most.

They call Orange County, California home and are active members of the Masters of Harmony chorus, seven time international chorus champion. They are ALSO active members of Westminster, the 2007 international chorus champion. With their win of quartet gold medals they become only the third quartet to win CHORUS gold medals the same year.

OC Times formed in the spring of 2003. Shawn, Sean and Patrick are the original members. Their original bass was Drew Harrah. He won the FWD title with them and placed 18th in Louisville in 2004. In January 2005 Cory joined the group. The rest is, of course, history.

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2007 – MaxQ

Tenor: Greg Clancy
Lead: Tony De Rosa
Bass: Jeff Oxley
Bari: Gary Lewis

Max Q were finally crowned 2007 International Quartet Champs. They won the championship with the second highest score and by the second highest margin of victory ever.

Max Q began in 2002 and after toying with the idea of a quartet. At their first official meeting the sound was special and exciting. It’s no wonder. All four were experienced singers.

Greg Clancy (tenor) started as a 12 year old kid on the front row of the young Vocal Majority with his dad up front directing. He has been a part of all eleven VM championships. He sang with several quartets through the years like Class of the 80’s (Dan Bell, Jason January,Todd Wilson). Gatsby (Bill Thornton, Jason January, Gary Parker) and a re-united Dealer’s Choice. Greg is said to now have the most gold medals of anyone in the Society (12).

Tony De Rosa (lead) is also a second generation Barbershopper, starting at the age of seven with his dad, Papa Joe. An active quartetter, he first appeared on the International stage with Cypress Chord Club at the age of 12 in 1985. He sang with One Shot Deal, became the youngest gold medalist as bari of Keepsake (1992) and won his second gold medal with Platinum (2000).

Gary Lewis (bari) studied at Bowling Green State University where he formed his first quartet, Which Wayz Up? He was the tenor of The Real Deal and winners of the Society’s MBNA Collegiate Quartet Contest in 1994. Gary moved to Orlando FL in 1996 and sang as a replacement bass singer for the 1992 Champion Keepsake. In 1998, Gary switched voice parts again, and moved to tenor to sing with Platinum. With Joe Connelly singing lead, Tony De Rosa on baritone, and Kevin Miles singing bass, Platinum captured the gold in Kansas City in 2000. Gary was the first person to win a collegiate gold medal and go on to win SPEBSQSA International gold. He is also the only tenor/baritone double gold medalist.

Jeff Oxley (bass) is a product of Bowling Green State University in Ohio where barbershop music was very popular. That inspired the formation of The Rapscallions(Dave Smotzer – tenor, Dave Wallace – lead, and Tim Frye- bari) and their entry into the 1982 International contest and a surprising 9th place finish. They began working harder and moved up to 6th place in 1983 and won it all in 1984. In 1986 he moved to Dallas and later joined Class of the 80s who placed 14th at International in 1989. After a new lead and a name change, Acoustix won the gold in 1990, his second. As an active coach, section leader and featured soloist with the Vocal Majority, Jeff has won seven chorus gold medals. In late 1997 he took on the challenge of Music Director in California with the International chorus champion Masters Of Harmony. He led them to their 1999 win and has become the only man in BHS history to have won 3 quartet golds and directed a chorus to the championship.

Although Max Q were hindered by distances (two in Dallas, one in Florida and one back in Ohio) they managed to learn their music via weekends together and learning CDs, and rehearsed as often as possible. Max Q’s first appearance was as a cameo on a Vocal Majority chorus show.

Their work in the studio has produced two outstanding CDs with one being a ground breaking collection of children’s songs – For the Children.

By their fourth year of competition and being second three years in a row (a major accomplishment for ANY quartet) they introduced a new song, Here’s To The Losers with special lyrics developed and arranged by quartet coach Clay Hine (FRED bari).

Some of the lyrics include:

Here’s to those who go for high notes even when they’ve past their prime. (bass solo) Here’s to every bass who has an ego half as big as mine.

Here’s to the Nighthawks and the Pacificaires we love that Sundowners sound To the Vagabonds and all of the greats that never won the crown

Here’s to the Losers – bless us all

Their Losers set received the largest audience reaction of the week and perhaps their career. It was a highlight for the boys. After being the first to congratulate Gotcha! , Realtime & Vocal Spectrum before they ran up the stairs to proudly accept their silver they finally got to hear their name announced as the champs in Denver 2007.

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2006 – Vocal Spectrum

Tenor: Tim Waurick
Lead: Eric Dalbey
Bass: Chris Hallam
Bari: Jonny MoroniIn the closest win in the Society’s 68 year competition history Vocal Spectrum took home the big trophy by singing flawlessly and earning the best score on two of the three sets. Still it was only SIX little itty-bitty points that separated them from the future champion and three time silver medalists Max Q.The youth movement in the Society now has an extraordinary benchmark with these four guys winning the College Quartet Championship (2004) and the International Quartet Championship (2006) after only THREE years as a group.Vocal Spectrum first sang as a one-time educational quartet for a workshop with Francis Howell North High School Men’s Ensembles on January 5th, way back in 2002. They liked what they heard and continued singing after that chance grouping.

They hail from St. Charles, Missouri where all were majoring in different fields of study at Lindenwood University and come from various musical backgrounds, from classical vocal training to jammin’ in rock-n-roll bands.

Tim Waurick (tenor) is the newest member of VS joining in September 2003 replacing original tenor David Cassel. Tim sang in Good Times at International in 2001 and 2003

Eric Dalbey (lead) has sung in many quartets throughout his high school career and became an original member of Vocal Spectrum in 2002.

Jonny Moroni (bari) discovered barbershop through a local public access channel and soon joined the Ambassadors of Harmony (St. Charles, MO) He has gone on to win a total of 5 International Medals with the chorus.

Chris Hallam (bass) sang in select ensembles throughout high school and joined the Ambassadors of Harmony (2004 International Chorus Champions) and has competed at the International contest with them three times.

In addition to performing all over the U.S. as well as singing in Germany, Holland, Sweden, Russia and England, the foursome gets a special kick out of being part of Youth In Harmony Workshops and teaching high school students about barbershop harmony.

They follow in the recent footsteps of Four Voices who won the college gold medals in 1996 and the quartet gold in 2002. Vocal Spectrum is the FIRST quartet to win THREE of the possible 4 gold medals (Collegiate Quartet, Men’s Quartet, and Chorus Medal).

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2005 – Realtime

Tenor: Tim Broersma
Lead: John Newell
Bass: Tom Metzger
Bari: Mark MetzgerThe Realtime quartet story is an ordinary one. Four guys who love to sing being drawn together by fate. But this story has an extraordinary ending.

It all began in Vancouver, British Columbia, Canada as two brothers Mark (bari) & Tom Metzger (bass) grew up singing together following in their father’s footsteps,Charlie. They were a matched set in every quartet thru the years; The Edge, Sonic Boom and Counterpoint.

Around the same time there was a barbershopper in Australia, John Newell (lead), perfecting his craft. John is a two time AAMBS (Australian Association of Men’s Barbershop Singers) quartet champion (1999 / 2001) withSouthern Cross (lead). He is also the first Society affiliate Barbershopper (off continent) gold medalist.

A few years later young tenor Tim Broersma was also singing on the International contest stage with Doug, his father. He won his first district quartet championship in 1993 with Milky Way (age 14). He was also active inStudio One, Counterpoint and Bachelor Party.

They would all cross paths and decide to travel this road together as four brothers.

They are not sure who came up with their quartet name. The name Realtime reflects their desire to be “in the moment” when performing. For this group, it appears to be most appropriate.

They held their first rehearsal in March of 2003 and performed for their first show with their home chapter (Greater Vancouver / Gentlemen of Fortune) in May. In 2004 they represented the Evergreen District in Louisville and placed 7th at their first International together. After winning their district championship they went on the Salt Lake City and won gold in only their second International.

Well, even though the contest part of their story ended they continue to produce top-notch CDs and entertain audiences worldwide.

2004 – Gotcha!

Tenor: Garry Texeira
Lead: Chris Vaughn
Bass: Jim Kline
Bari: Alan Gordon

At an afterglow in September of 1996, four members of the Masters of Harmony chorus decided to sing a song. Three hours later, Garry Texeira, Chris Vaughn, Alan Gordon, and Scott Wilson exhausted the entire repertoire from three choruses and a few international championship quartets! Shortly after the 1996 Far Western District contest, Gotcha! became a registered quartet and bought matching socks.

The quartet spent 1997 moving through the competition ranks, including sweeping the Grand Championship at the Buckeye Invitational. Riding high from first year successes, Gotcha! qualified for their first International Quartet Contest for 1998, and were encouraged with their 20th place finish in Atlanta.

Upon returning, they immediately turned their focus to the 1998 Far Western District Contest in Phoenix, where they came home as the 1998 FWD Quartet Champs. They placed 12th in 1999 and 8th in 2000. They changed basses before the 2001 contest with the addition of Jim Kline (formerly of Buck Thirty-Nine and 139th Street Quartet).

The quartet climbed through 8th, 6th, and 2nd in the world before capturing the International Championship in Louisville, KY, in July of 2004. This made Jimmy’s 30th appearance on the International stage beginning in 1970.

Gotcha! has performed hundreds of shows across the U.S., Canada and Ireland – on stage, radio, and television and has produced three outstanding recordings.

2003 – Power Play

Tenor: Don Slamka
Lead: Michael Slamka
Bass: Jack Slamka
Bari: Mark Slamka

Nothing can compare with the Power of family. Power Play consists of a father, his two sons, and his nephew.

Jack Slamka, the father, sings bass and is a 30-year member of the Society. Michael, his son, sings lead and is a 20-year member of the Society. Don, the nephew, sings tenor and is a 17-year member of the Society. Mark, the other son, sings baritone and is a 15-year member of the Society.

Power Play was formed in 1988, and won the Pioneer (Michigan) District quartet championship in the fall of 1989.

They competed in international competition a dozen times (six in the top 10) and finally won in 2003 in Montreal.

This quartet proves that the family that Plays together stays together.

 

2002 – Four Voices

Tenor: Lester Rector
Lead: Chad Guyton
Bass: Jayson VanHook
Bari: Brandon Guyton

When Chad (lead) and Brandon Guyton (bari) attended a Harmony Explosion presentation in 1993, they had no idea what lay ahead.

A few years later, they recruited two fellow Lee Universitymusicians, Lester Rector (tenor) and Jayson Van Hook(bass), to form Four Voices. Contrary to popular belief, the name was not inspired from the obvious; a requirement to fulfill the prerequisites of a quartet.

Actually, these young men met in the Voices of Lee, a 16-member vocal orchestra group at Lee University, where they contributed four of the eight men’s voices to make a unique, harmonious sound that has gained national recognition. The Four Voices decided to enter the 1996 MBNA Collegiate Barbershop Quartet Contest in Salt Lake City and were fortunate enough to come away with the championship.

In 1999, the quartet agreed that it was time to take a shot at the big leagues and entered the Dixie District Contest. They were thrilled to come away with the championship, but they were not finished yet.

They set a goal to qualify for International in 2000 and reached this dream by qualifying at the Dixie District preliminary contest. In their first time out, Kansas City brought Four Voices an International Semi-Finalist award. In Nashville in 2001, Four Voices made a huge jump in the standings, bringing home the 3rd place Bronze medal.

They won in 2002 in Portland and became the first college champ to win the BHS gold medal title. Their recordings are considered some of the best examples of the style.

 

2001 – Michigan Jake

Tenor: Drew Kirkman
Lead: Mark Hale
Bass: Greg Hollander
Bari: Joel Wilson

In 1983 Mark Hale and Greg Hollander joined the Barbershop Harmony Society. They quickly became friends and started singing in a quartet together. This quartet, theSound System, started with Mark on tenor and Greg on baritone, but soon Greg moved to bass and Mark moved to baritone. Along with b>Phil Kinser, lead, and Mike Wheeley, tenor, they sang together for about five years, winning a district championship and competing at the International Competition in 1988. They retired in 1990.

By 1992 Mark had moved to Louisville and, with David Harrington, formed the Louisville Times Chorus. David’s quartet, the Second Edition, had just recently retired and there was a lot of excitement over starting something new. As the chorus began to build steam a new quartet was in the works with David on lead, Mark on baritone, Greg on bass, and Mark Bowman from Cincinnati on tenor.

The quartet became known as A Few Good Men and won the right to compete at the International Competition in Pittsburgh in 1994. As luck would have it, David and the otherHarrington Brothers were immediately offered a job performing on a professional show in Myrtle Beach, so the quartet was forced to disband after being together only about six weeks.

The desire to start another quartet hit again around the summer of 1995. The Louisville Times had just competed at their first International Competition and were in full swing. The section leaders often would step forward and demonstrate various techniques for the chorus and it was discovered that they had quite a blend.

They were Mark on lead, Greg on bass, Gary Davis on baritone, and Mark’s brother Christopher Hale on tenor. Christopher had recently moved to Louisville to attend the Southern Baptist Theological Seminary, pursuing a Masters in Church Music.

Shortly after the Miami convention the foursome started to rehearse with the Cardinal District Quartet Contest being their first short term goal. They chose the name Michigan Jake, a takeoff of the Warner Brothers singing frog, because it represented where they had first started to hear the old songs–on Bugs Bunny cartoons.

They went on to win the contest by a much larger score than they had imagined. The quartet placed tenth in their first International Competition in 1996 and then eighth the next year. By March of 1998 they found themselves in need of a new baritone and called upon their friend Joel Wilson.

Joel had started singing in the Louisville Times in 1993 when he was sixteen, and had grown accustomed to the singing techniques of Michigan Jake. This, and the fact that he’s so darned good, made it easy for him to slip effortlessly into the Michigan Jake sound.

With just inside of four months together, the quartet jumped to the second place silver medalist position in Atlanta that summer.

By a strange twist of fate, Christopher had stopped on his way to the Atlanta convention to interview with a church in South Carolina in need of a new Music Minister. He discovered in a message on his answering machine when he returned home that he had gotten the job. The other men of Michigan Jake didn’t want to stand in the way of Christopher’s career, but they were in a difficult situation. After considering a few options, they decided to call on Drew Kirkman of Terre Haute, Indiana, with Christopher making the initial contact. Drew had sung with several quartets through the years, both on lead and tenor, but most recently with Flash Point, comprised of Drew and three members of the Times. They knew he had the ability if he had the time and desire to step in. With a single audition they could tell that they had made the right choice.

At the 1999 convention in Anaheim Michigan Jake took the third place bronze medal behind crowd favorite FRED, and in 2000 they earned another silver medal with Platinumwinning the gold. Finally in July of 2001 in the city of Nashville, Tennessee, Michigan Jake won the coveted gold medals besting a field of fifty competitors by a margin of 256 points.

Mark Hale went on to direct the powerhouse Master’s Of Harmony chorus in California and lead them to two (2005, 2002) of their six chorus championships. Drew is busy singing with the Dapper Dans of Disney World.

 

2000 – Platinum

Tenor: Gary Lewis
Lead: Joe Connelly
Bass: Kevin Miles
Bari: Tony De Rosa

Platinum first organized in 1998 and soon won the 2000 SPEBSQSA International Quartet Championship in Kansas City.

Lead Joe Connelly became the first THREE TIME Gold Medalist with this win having won in 1987 (Interstate Rivals) and 1992 (Keepsake). He learned from many outstanding quarteters including his dad Mike who sang baritone with theRoaring 20s.

Baritone Tony De Rosa was also a member of the 1992 champs Keepsake making this is second gold medal. Tony would go on to win his third in 2007 with Max Q singing lead. He first appeared on the International Contest stage at the young and talented age of 12 with his dad Joe as chorus director of the Tampa Heralds of Harmony. Tony would later go on to direct them as well.

Tenor Gary Lewis first earned gold with The Real Deal, 1994 Collegiate Quartet Champs. With PLATINUM, he became the first collegiate champion to win an international gold medal. He would go on to win his second international gold medal in 2007 with Max Q, singing baritone. Gary came fromBowling Green State University, home of an outstanding music program and several gold medal champions.

Bass Kevin Miles has been a longtime member of The Dapper Dans of Disney World (4 years), the popular “Americana” 8-part a cappella group, Voices of Liberty (21 years) and is almost as well known as “the voice” of Walt Disney World greeting the public and reminding you to “watch your step”.

Platinum is famous for their “lock and ring” as well as long posts. A good example is adaptation of the songs Be Our Guest and Auld Lang Syne, which are the titles of their two popular CDs.

They were helped by some outstanding arrangers such asEd Waesche, Greg Volk, Walter Latzko and Clay Hine and coaches including Jim Casey, Randy Loos, and Gary Wulf.

They are now officially retired but do accept shows on very rare occasions.

Joe is working on becoming the first to win four times with his new quartet, Old School, having placed 5th at International in 2008 on their first attempt.

Tony and Gary are still actively singing, touring and recording with Max Q.

Kevin, successfully recovering from “carrying” Joe and being the quartet’s chick magnet for all those years, is still active with the Dans and occasionally singing with the VOL. He and his wife are involved in a company that offers singing opportunities for people who desire to perform in a chorus in large and exciting venues (www.singliveusa.com).

 

1999 – FRED

Tenor: Fred Carlson
Lead: Fred LaRosa
Bass: Fred Clay
Bari: Fred Hine

FRED is anything but your typical barbershop quartet. In fact, from their distinctive sound and unique sense of humor to the speed in which they have risen to the top of the craft, very little about FRED is normal.

FRED (Jared “Pookie” Carlson, tenor; Rick LaRosa, lead;Clay Hine, bari; Joe Clay, bass) was less than one year old as a quartet when they won the 1991 Dixie District Quartet Championship.

As members of the Marietta, Georgia chapter they gained a huge following in International quartet competition between 1992 and 1999 with their creative and off the wall sense of humor with parodies and poking fun at the audience, judges and themselves.

To the delight of their fans FRED won the barbershop quartet gold medals in 1999. They have gone on to entertain extensively across the United States and around the entire world for a wide variety of corporate and public audiences and have produced several top selling CDs.

Clay has been a popular coach and director taking the Big Chicken Chorus to International competition several times and more recently, and a new chorus, The Atlanta Vocal Project.

As they openly admit, a quartet by any other name would be another quartet.

1998 – Revival

Tenor: Royce Ferguson
Lead: Mike Spencer
Bass: Bill Myers
Bari: Mike Lawton

The men of Revival represent over 85 years of harmonizing experience.

They earned the title of 1997-98 Far Western District Quartet Champions and were crowned the 1998 BHS Champs at the competition held in Atlanta, Georgia on the 4th of July. This was only their third try with a 15th place and a 9th place finish the two years before.

The quartet represents the Foothills Cities & San Diego, California chapters and consists of Royce Ferguson (tenor),Mike Spencer (lead), Mike Lawton (bari) and Bill Myers(bass).

After winning they performed lots of shows and with notable appearances on CBS, NBC, ABC, CNN and BBC (London) radio & television affiliates, with the San Diego Symphonyand on stages in over 38 states and 5 countries, including tours of Ireland and Russia.

Bill served the Barbershop Society as a popular field representative and Royce went on to direct the Westminster Chorus to a gold medal in 2007.

1997 – Yesteryear

Tenor: Dan Trakas
Lead: Mark Blake
Bass: Randy Baughman
Bari: Rod Nixon

Representing the Maumee Valley (Toledo) and Elyria (near Cleveland), Ohio chapters and the Johnny Appleseed DistrictYesteryear is well known as a talented and entertaining show quartet.

The original version of the quartet was formed in February of 1984. Over the years there were three personnel changes (and one part change) leading to the gold medal version of the foursome. Along the way they won the Johnny Appleseed District (1993) contest

Dan Trakas (tenor), Mark Blake (lead), Rod Nixon (bari) andRandy “Beef” Baughman (bass) won gold in Indianapolis, Indiana.

The guys placed 17th in 1992 on their second Int’l contest appearance and jumped up to eighth in 1992. They moved up the ranks starting in 1994 placing 3rd, 2nd, 2nd and then the ultimate quartet goal

Dan is a two-time JAD quartet champion having won with theMatinee Idols in 1976 and Yesteryear.

Mark, a graduate of Bowling Green State University and Ashland Theological Seminary, is a past president of the Maumee Valley Chapter (Toledo, OH). He sang with the popular Varsity Lettermen, a college quartet in the JAD from 1985 to 1988.

Rod has sung in three other JAD champion quartets. He was the lead of the Matinee Idols (1976) and Sound Syndicate (1979), and tenor of Sound Advice (1972). Rod is a past president and director of the Elyria Cascade Chordsmen.

Beef is a former director of the Maumee Valley Seaway Commanders Chorus in Toledo and also sang with Mark in the Varsity Lettermen. A graduate of Bowling Green State University he is well known as a member of a high school 50’s group called Melvin and the Nuclear Turnips. He is currently active in the International contest favorite and popular show quartet, Hot Air Buffoons.

1996 – Nightlife

Tenor: Rob Menaker
Lead: John Sasine
Bass: Brett Littlefield
Bari: Jeff Baker

Nightlife, from Southern California, is only the second quartet in barbershop singing history to win gold medals as both international quartet champions and as members of the winning barbershop chorus on the same day! This is truly a fitting achievement for four individuals who have spent most of their lives singing and performing for others.

Rob Menaker (tenor), John Sasine (lead), Jeff Baker (bari) and Brett Littlefield (bass) have more than 80 years of barbershop experience – something that clearly shows itself in their superb interpretation of songs and enjoyable entertainment package.

Nightlife first got together in November 1990, and in the fall of 1991 won the Far Western District Quartet Championship.

In the International competitions which followed, the quartet quickly achieved success as well, winning two bronze medals and a silver. But, in July, 1996, Nightlife reached the pinnacle of success by being declared the new International Quartet Champion.

1995 – Marquis

Tenor: Dale Fetick
Lead: Randy Chisholm
Bass: Jay Hawkins
Bari: Paul Gilman

Marquis won the 1995 International Quartet Championship at Miami Beach representing the gold medal rich Johnny Appleseed District. They credit their win to having the right attitude.

Each member had sung in successful quartets before and brought that experience with them to the group.

Jay Hawkins previously sang with The Coalition (1977 JAD Champs), The Naturals and Interstate Rivals and later won the Society’s “Music Man Quartet” championship with Great Honk.

Paul Gilman sang with Class Notes, Brand New Gang,Ricochet (1992 JAD Champs) and the Interstate Rivals.

Dale Fetick sang with Uncle Sam’s Music Review, The Last National Prank, Bustin’ Loose and Ricochet.

Randy Chisholm sang with The Halton County Roadshow(1980 ONT District Champs), Act IV (JAD Champs) and theNaturals (JAD Champs and 4-time Int’l Medalist).

Marquis won the 1994 Johnny Appleseed District championship and placed fourth in their first International together.

They received help with selecting the right music from arrangers Don Gray, Walter Latzko, Ed Waesche, Rob Hopkins, Bill Mitchell and their primary coaches, Jim Millerand Ken Buckner.

Randy was an iconic, standout lead with a powerful voice and a master of song interpretation. He managed to hold back enough to create the perfect blend in Marquis.

Originally a baritone, Jay adjusted his championship bass voice from his 1987 Interstate Rivals gold medal to blend with his new lead. Paul also had to adjust and adapt from his baritone in IR.

They managed to sing lots of shows and hold many productive rehearsals despite the fact that Randy was living in Ohio, Paul and Dale in Cincinnati and Jay in Louisville.

Marquis was also very active in the music leadership of theCincinnati Southern Gateway Chorus and served the chapter in many ways. Paul went on to direct the chorus and led them to six appearances at Int’l with a 9th place finish in 2005.

The 1995 Marquis win completed the double gold medal effort by all four members of the 1987 Interstate Rivalsadding Jay Hawkins and Paul Gilman (IR Lead Joe Connellywon his second in 1992 – IR Tenor Kipp Buckner won his second in 1994).

Marquis first recording was In The Wee Small Hoursfollowed by Diamond Cuts. Their most popular songs were Lulu’s Back in Town, When That Midnight Choo Choo Leaves For Alabam’, I Found A Million Dollar Baby and Randy’s special treatment of What Kind Of Fool Am I.

Sadly, Randy Chisholm died unexpectedly in August 3, 1997 from complications following a staph infection in Mid-July.

1994 – Joker’s Wild

Tenor: Steve Iannacchione
Lead: Mark Green
Bass: Dave Kindinger
Bari: Steve Legters

Marquis won the 1995 International Quartet Championship at Miami Beach representing the gold medal rich Johnny Appleseed District. They creJoker’s Wild was formed in August of 1990 when the original four members met informally at the Buckeye Invitational in Columbus, Ohio and harmonized together. The sound and enthusiasm of the evening convinced them to form a quartet to showcase their natural blend.

After winning the Johnny Appleseed District (JAD) Quartet Championship in October of 1990, Joker’s Wild went on to represent JAD at the 1991 International contest in Louisville, Kentucky. In their first appearance on the international stage, Joker’s Wild placed 10th. The next year they moved up to 5th place Bronze Medalists. In Calgary Alberta, Canada they became the 1993 2nd place silver medalists.

And finally, in July 1994 in Pittsburgh, Pennsylvania, they reached the ultimate goal of most barbershop quartet singers by becoming the 1994 International Champions.

Since winning the International Championship, Steve Iannacchione (tenor), Mark Green (lead), Steve Legters(bari) and Dave Kindinger (bass) have been featured on shows and concerts throughout the world. They have entertained audiences in the United States, Canada, Germany, Italy, France, and Spain. The quartet has also performed on national television, including Good Morning America, and radio spots across the United States.

1993 – The Gas House Gang

Tenor: Kipp Buckner
Lead: Rich Knight
Bass: Jim Henry
Bari: Rob Henry

In the 1930’s The St. Louis Cardinals baseball team was nicknamed “The Gas House Gang” to describe the players’ fiery attitude toward the game and their fun-loving style of play. In 1987 a barbershop quartet from the St. Louis area chose the name to match its own personality. Since that time the energetic singing style and diverse repertoire of Kipp Buckner (tenor), Rich Knight (lead), Rob Henry (bari) and Jim Henry (bass) has proven the appropriateness of the title to people across North America and Europe.

After winning the 1988 Central States District Competition in their first attempt, they began a steady climb up the International Competition ladder which culminated in Calgary, Alberta, Canada, where they were awarded the 1993 International Quartet Championship.

The group has performed in 48 states and have sung in such diverse locales as Russia, Hawaii, England, Ireland, Sweden, Holland, Australia, New Zealand, Germany, New York City’s Carnegie Hall and The Grand Ole Opry.

They have been seen nationwide on the PBS special, “Voices in Harmony,” and on NBC’s Today Show. They have also been heard worldwide on BBC radio. Performers with whom they have shared the stage include such distinguished musicians as The Four Freshmen, The Swingle Singers, Rockapella, The Persuasions, The Chordettes, The King’s Singers, The St. Louis Symphony Orchestra, Victor Borge, Porter Wagner, GLAD and the Grammy award winning group Chanticleer. The Gang made its theatrical debut in front of over 70,000 people as the barbershop quartet in ” The Music Man” at The Muny, one of the world’s largest outdoor theaters.

They produced five recordings which are consistently been top sellers and were awarded nominations by the Contemporary A Cappella Society of America (CASA), including Best Barbershop Song, Studio Album of the Year, Artist of the Year, Best Christmas Album, and Best Christmas Song.

The GHG retired in 2005 after losing their baritone Rob Henry to cancer in 2003.

1992 – Keepsake

Tenor: Roger Ross
Lead: Joe Connelly
Bass: Don Barnick
Bari: Tony DeRosa

Keepsake of Polk County, Orlando and Winter Park, Florida won the gold in 1992 in New Orleans.

Keepsake was a quartet with the ability to reach across the footlights and grabs the hearts of the audience with their music. Their expressive song selection included charts written and arranged by Lou Perry, Renee Craig, Bob Disney, Greg Volk, and Clay Hine. Roses of Picardy was a popular song choice during their winning year and considered as the unofficial song of the contest in the Superdome. They reached the top with the help of top coaches like Larry Ajer, Jim Casey, Dave LaBar, and Paul Gallagher.

They were a popular quartet and booked on many chapter shows across the country as well as travels to Italy and the French Riviera. They produced three fine recordings, The Entertainer, Once Upon A Time, and Without A Song.

Roger Ross started singing barbershop at age 10 in Terre Haute, Indiana. After relocating to Florida in 1972, he sang in his first quartet on baritone with his dad in the quartet Elements of Harmony, then Center of Attraction (1980, with brother, Rusty). This was Roger’s first taste of the International contest stage and subsequently made nine more trips to the Int’l stage singing three different parts and with several quartets who also won the Sunshine District quartet championship: Popular Choice (1982-tenor), Cheerful Noise (1985-lead), and One Shot Deal (1988-lead, w/ Tony De Rosa and Keepsake (1991-tenor). Roger is one of three members to have won FOUR Sunshine District Championships: Sean Milligan (5) and Tony De Rosa (4).

Roger was also director of Orlando’s Orange Blossom Chorus. He later led Winter Park’s Sunshine Jubilee Chorusto a district championship in 1988 and directed the Tampa Bay Heralds of Harmony in International competition in Salt Lake City in 2004. He has been a permanent “sub” with the famous Dapper Dans of Disney World since 1978, is former Dean of Sunshine Sizzle HEP school, was SUN District Barbershopper of the Year in 1987, is a SUN HOF inductee and served as President of the Association of International Champions (AIC). He’s working up a new quartet and plans to be on the contest stage again soon.

This was Joe Connelly’s second of three gold medals. At the age of 13, young Joe wasn’t yet awesome but joined theSouthern Gateway Cincinnati chapter and learned at the knee of his dad (Mike – bari of the Roaring 20’s). He won gold in 1987 with Interstate Rivals. “Awesome Joe” moved to Florida and directing the Orlando Orange Blossomchorus to a repeat district championship in 1989. A certified Interpretation judge, Joe also served on the Harmony College Faculty many years.

He has been an active and popular coach of men’s and women’s quartets and choruses. One of his quartets wasShowtime (1993 International Queens of Harmony). Three weeks after winning his gold in New Orleans, Joe married Showtime’s outstanding lead, Debbie. He continues his quest for gold with Old School having placed 5th at International in 2008 on their first attempt.

Don Barnick is the only two-time gold medalist to win on both tenor and bass. In seventh grade he got hooked on barbershop and formed his first foursome, The Tuneagers. At 18 he began directing the SAI Lake Erie Seaway (SAI) and later directed the Lakewood Gold Coast Chorus. In 1973 he moved to Florida and sang in Brush and Lather 4, American Tradition and Phase IV quartets. Don also sang with theOrange Blossom Chorus and the Tin Types quartet (withDick Kneeland at that time, a Dapper Dans’ Lead singer, Bill Wood, and Chuck Pritchett).

Barnick moved to Chicago and joined the Grandma’s Boyswho won gold in 1979. They retired in 1985 and he moved back to Florida and sang baritone with SideKicks placing top ten three times at International. Don is also a three-part sub for the Dapper Dans of Disney World and sings in a fun quartet with his wife Ellen called 3 Flirts and a Skirt.

This win made Tony De Rosa (19) the youngest member to win the gold. Tony grew up in a barbershop family and started at the age of 7 with his dad, Joe, director of theChorus of the Genesee in Rochester, New York. In 1981 they moved to Florida where Papa Joe directed the Pride of the Polk chorus. The family is total barbershop with Mom, a Harmony Inc. Champion (1979) and sister, Chris, singing with Toast of Tampa Sweet Ads. Tony started singing with a quartet at age 10 with Cypress Chord Club, 1984 district champion and 1985 International competitor. He joined Roger in One Shot Deal. He went on to win with Platinum in 2000 and Max Q in 2007.

1991 – The Ritz

Tenor: Jim Shisler
Lead: Doug Nichol
Bass: Ben Ayling
Bari: D.J. Hi
The Ritz is a unique quartet in that it is comprised of four vocal music teachers, each from a different school district. Tenor Jim Shisler, lead Doug Nichol, bari D.J. Hiner and bass Ben Ayling.

When the quartet won the Pioneer District Quartet Championship in 1984, The Ritz decided to enter all future BHS competitions. In Louisville, KY, in July of 1991, they became the international champions while representing the Johnny Appleseed District.

During the quartet’s active career The Ritz focused on having great concert performances and producing studio recordings. They produced nine exciting and successful releases.

The quartet regularly performed throughout the United States and Canada and were the featured entertainment aboard Caribbean, Alaskan and Hawaiian cruise ships. Their concert tours took them to Great Britain, Russia, New Zealand and Australia.

In the fall of 1994 they were featured on the nationally broadcasted PBS special, “Keep America Singing” and again in March of 1996 on the “World’s Largest Concert.”

1990 – Acoustix

Tenor: Todd Wilson
Lead: Rick Middaugh
Bass: Jeff Oxley
Bari: Jason January

Acoustix formed in January of 1990, and in a very short time realized that the blending of their vocal talents produced a sound that has eluded many performers.

The Texas foursome skyrocketed straight up the competition ladder. In a record-setting six months, Todd Wilson (tenor),Rick Middaugh (lead), Jason January (baritone) and Jeff Oxley (bass), won on their first attempt.

This dynamic foursome has been electrifying audiences around the world for over 20 years. ACOUSTIX has appeared on CNN, NBC’s “Today Show,” TNN’s “The Statler Brothers Show,” and two PBS specials. At the turn of the 21st century, ACOUSTIX performed for a global audience of 175 million viewers on “ABC 2000,” hosted by Peter Jennings.

In 1998, Joel T. Rutherford moved to Texas from Toronto Canada to replace Jeff Oxley.

Their most recent national television appearances included performing the Star Spangled Banner for game five of the 2011 NBA Finals, and game six of the 2006 NBA Finals. ACOUSTIX has shared the stage with many talented acts, including The Mormon Tabernacle Choir, LeAnn Rimes, The Dixie Chicks, The King’s Singers, Mitch Miller, Isaac Stern, Pete Fountain, Victor Borge, The Four Freshmen, The Gatlins, The Canadian Brass, The Dallas Wind Symphony, and the Atlanta Symphony Orchestra.

ACOUSTIX recently contributed their talents to two new Bill Gaither Homecoming video projects, Amazing Grace, released in August of 2007 and Rock of Ages, released in April of 2008. Some of the other artists involved included Randy Owen, the Oak Ridge Boys, Ernie Haase & Signature Sound, the Gaither Vocal Band, the Isaacs and Brenda Lee.

The quartet has made close to 1000 appearances in 47 states of the USA and six provinces of Canada. Bookings outside North America have taken the quartet to Japan, Great Britain, Austria, Czechoslovakia, Hungary, Germany, Australia, Saudi Arabia and Switzerland. Traveling to well over 300 cities around the globe, from Carnegie Hall in New York, Roy Thompson Hall in Toronto to Muse Arc Hall in Tokyo, ACOUSTIX has performed in some of the greatest concert venues in the world.

ACOUSTIX predominantly a cappella repertoire showcases a wide variety of musical styles including Vocal Jazz, Gospel, Sacred, Doo-Wop, Contemporary Christian, Patriotic, Inspirational music and even a bit of Barbershop Harmony. From a standard like “Bye-Bye Blackbird” to “I Get Around” from the Beach Boys, to a collection of hits from Simon & Garfunkel, to John Philip Sousa’s “Stars & Stripes Forever,” ACOUSTIX sings a broad variety of musical selections that appeal to audiences of all ages.

The quartet has collaborated with some of the greatest vocal arrangers in the business, including Gene Puerling, Dr. Kirby Shaw and Mervyn Warren, to name a few.

ACOUSTIX has produced five CD projects since 1991 and appeared on another 21 audio and video releases. Their latest disc, “O Worship The King” continues their tradition of exploring different musical genres. Two of their releases, “Cool Yule” and “Jazz, Jazz, Jazz,” have garnered a combined three nominations for a CARA (Contemporary A Cappella Recording Award) in three different categories. Cuts from their first two discs “Stars & Stripes” and “The New Science of Sound” have been included in American Airlines “in-flight” audio programming.

Todd Wilson, Jason January, Rick Middaugh, and Joel T. Rutherford share a combined 100+ years of stage and studio vocal experience. Their emphasis on ENTERTAINMENT has helped create a loyal group of fans. Some of these folks have been known to fly or drive 1000+ miles to see ACOUSTIX perform “live.” In 2000, the quartet received an A cappella Community Award for Favorite Barbershop Group from the Contemporary A cappella Society of America.

1989 – Second Edition

Tenor: Fred Farrell
Lead: David Harrington
Bass: Jamie Meyer
Bari: Doug Harrington

Second Edition, from Louisville Kentucky, won the 1989 International Competition held in Kansas City. They had been singing together since 1986 and one of the youngest quartets to win with the oldest only 25.

Some consider The Second Edition to actually be one of the last versions of The Harrington Brothers (David, Doug, Jamie Meyer and Allen Hatton of the 1978 champions Bluegrass Student Union). When that quartet disbanded, David, Doug and Jamie found tenor Fred Farrell in December of 1986.

Second Edition placed second in their first International competition in Hartford Connecticut in 1987, and repeated as silver medalist in 1988 in San Antonio.

David started singing barbershop at age 11 encouraged by his mother Lois and grandmother Lee.

Doug was the youngest of the Harrington Brothers (w/Mike, Jeff and David) and grew up singing on stage. The brothers were members of the Columbus Ohio Singing Buckeyes and joined when Doug was only 10 years old. In 1984 the Harringtons were the youngest quartet to win a medal at Int’l.

In middle school, Jamie formed his first quartet called the Derby City Four. They sang for a Louisville Thoroughbreds rehearsal and were very well received and encouraged. He joined them in 1982. He also sang with the Men of Accord and Class of ’84 quartets.

Fred began in Iowa with the Happiness Express Chorus of the Denison, IA chapter thanks to his dad, Don (founder and director) and his mother, Katie, Sweet Adeline, arranger and songwriter. There Fred sang in a quartet named The Iowa Supreme Chord. After a move to Chicago and joining the West Town Chapter he joined a pick-up quartet with Ken Jordahl (Four Henchmen), Buzz Haeger (Four Renegades) and Dick Kingdon (Chiefs of Staff). They placed second at the Illinois District fall contest almost winning the championship.

Second Edition traveled extensively appearing on shows in 30 states as well as England, Scandinavia and New Zealand. They were often booked on shows with their Sweet Adeline counterparts, the 1989 Queens, Growing Girls, of Sweden. This spawned some successful relationships professionally and personally. As it turned out the bass of Second Edition (Jamie) married the bass of Growing Girls (Naima) and the baritone of Second Edition (Doug) married to the lead of Growing Girls (Suzanne). Both couples now live in Sweden.

The quartet produced only one LP entitled Second Edition I. It is a ground breaking recording and reflective of the monster talent of these four young men. The quartet didn’t stay together long after winning, and retired in the mid 1990s.

All quartet members are still active in barbershopping. David sang in other quartets like A Few Good Men and continues to arrange music for quartets and choruses.

Fred went on to win a second gold medal with the 2009 Champions Crossroads. This great foursome includes three other past champs, Mike Slamka, lead; Brandon Guyton, bari; and Jim Henry, bass).

Doug coaches various top music groups around the world such as The Real Group and Vocal Six. He is also the director and founder of a new chorus called Zero8 with several talented, young and energetic singers in Stockholm, Sweden. They qualified for a couple of trips to the BHS International Chorus competition. Also now singing with zero8 is a tried and true bass named Jamie Meyer.

1988 – Chiefs of Staff

Tenor: Tim McShane
Lead: Chuck Sisson
Bass: Don Bagley
Bari: Dick Kingdon

The Chiefs of Staff won the championship on July 4th of 1988 in San Antonio during the Society’s 50th anniversary convention. They were the last recipients of the original International Quartet (Landino) Trophy.

It began during a picnic in the fall of 1983. Don Bagley got the quartet bug again during the Seattle Int’l and approached Chuck Sisson. They found southside Irishman tenor Tim McShane was available and then sang a few tags with lead, soon to be bari, Dick Kingdon in the Illinois District hospitality room at the 1984 St Louis Int’l. The foursome was set.

They decided that the sound was pretty good and stage presence help was needed. They worked with George Gipp (Cincinnati Kids and Chicago Chord of Trade). They also enlisted the help of sound and interpretation coaches Jay Giallombardo and Ken Buckner, and used the top arrangers of the day, David Wright, Greg Lyne, and Buzz Haeger. Musically the foundation was strong.

Non-singing mic time was assigned to Don, a natural storyteller. They worked on sharing the emotions of the song with their audience and succeeded adding to their popularity as a top quartet.

The Chiefs won the 1984 Illinois District Championship and moved up the ladder at the International quartet competition – 12th in 1985, 5th in 1986, 3rd in 1987 and finally FIRST in ’88.

Bass Don Bagley was a member of the Arlington Heights, ILL Arlingtones chapter. He started singing barbershop in 1961 while in the Northeastern District in quartets such as The B-Sharps.

He and his wife, CarolAnn, were a perfect “barbershop couple“. They met in 1966 at the Int’l convention there while Don was stationed in the Army in San Antonio and directing the Chordsman Chorus. She was from Oklahoma and working for the Sweet Adelines International Headquarters in Tulsa.

Don was in two other top quartets, Soundtracks (1971) and Tin Pan Allies (1981) who were both ILL district champs. He won his first medal (5th) with the Soundtracks in 1974.

CarolAnn sang lead with Jubilation in 1985 to win the Sweet Adeline Crown beating him to the championship by three years. They are only the third husband and wife couple to win both organization’s top honor.

Don has also served as president of the Association of Int’l Champs (AIC). He and CarolAnn now live in Florida.

Lead Chuck Sisson joined the Society in 1982 and came to barbershop as a church choir, folk trio, gospel trio singer with musical theatre experience. He starred his senior year of high school as Billy Bigelow in Carousel. Within weeks of joining the Arlingtones he was in a quartet called Four on the Floor. His strong voice and heartfelt presentations as lead were major contributing factor to the big sound of this quartet. Chuck still lives in the Chicago area and has worked in local theatre in recent years. As successful graphic designer, Chuck designed the new quartet trophy (the Hugh Ingram Trophy) that was presented the champs the following year.

Tenor Tim McShane is a native Chicagoan, was president of his HS glee-club and member of the All-City Choir. He formed his first quartet after seeing The Music Man on TV. In 1970 he joined the Southwest Suburban / Oaklawn chapter His first Society quartet, The Melody Four had only been together a year when they auditioned for a production of The Music Man – they got the part. Prior to the Chiefs he sang with Soundfitters Union (1976) and Daily Favorites (1983) and placed in the finals of the ILL district contests.

Bari Dick Kingdon hailed from South Dakota and recalls lots of singing at family gatherings not realizing the harmonizing was based on barbershopping. He started, as most, in high school and church choirs and glee clubs. He joined the Society in 1976 (Lombard) and was an international semi-finalist with Friends in 1980, 1981 and 1982. He sang LEAD with the 1987 International Chorus Champion West Towns and served as their lead section leader although he sang bari with the Chiefs. He’s now singing with a senior quartet, Take Note.

The produced three LPs Tribute, Solid Gold and Memories. They were best know for their renditions of Sam The Accordion Man, Ma, She’s Makin’ Eyes At Me, Brother Can You Spare a Dime, It’s a Great Day For the Irish (from their ground-breaking Leprechaun set at Int’l) Kiss Me One More Time, Lonesome, That’s All and What Kind of Fool Am I?

1987 – Interstate Rivals

Tenor: Kipp Buckner
Lead: Joe Connelly
Bass: Jay Hawkins
Bari: Paul Gilman

The original four members of Interstate Rivals – Kipp Buckner, Joe Connelly, Geoff Mucha, and Jay Hawkins – were all second-generation barbershoppers. Paul Gilman, who replaced Geoff as baritone in 1986, had been introduced to barbershopping by his uncle in 1980.

Geoff and Joe, members of Cincinnati’s Southern Gateway Chorus teamed up with Kipp and Jay, members of the Louisville Thoroughbreds, in 1982. In 1983, the foursome finished in the top ten at their first international contest.

They placed sixth in 1984, third in ’85, and moved to second in 1986. That year, Geoff’s postal service promotion forced him to move to another city. The remaining three drafted Paul from Cincinnati, and he had the rare thrill of winning a gold medal in his first international contest in 1987 at Hartford, Conn.

Despite their youth (they were the second youngest quartet ever to win the championship), the original Rivals combined 45 years of barbershop experience. Kipp’s father had sung in an international finalist quartet, Joe’s dad was an international quartet medalist, Geoff’s father had directed choruses to two bronze medals, and Jay’s father had sung for many years in Dayton, Ohio’s chorus.

In a display of individual musicianship, and unprecedented in teh Barbershop Harmony Society, each member of “The Rivals” went on to claim another quartet championship – Joe with Keepsake in 1992, Kipp with Gas House Gang in 1993, and Jay and Paul with Marquis in 1995. A couple of years later Joe laid claim to a third gold medal with Platinum in 2000. Still not satisfied, Joe and his partner in crime, Kipp, garned yet another gold medal with 2011 Champs Old School.

1986 – Rural Route 4

Tenor: Don Kahl
Lead: Calvin Yoder
Bass: Willard Yoder
Bari: Jim Bagby

When the Rural Route 4 won the international quartet championship in 1986, they did not exactly qualify as an overnight sensation.

Organized in 1971 by four residents of Cass County, Missouri, the quartet would not win the gold until 15 years and two personnel changes later. Along the way were dozens of contests, from the chapter to international level, and years of hard work. But there was fun too, as the RR4 gradually built a reputation as on of the most entertaining show quartets around.

Brothers Calvin and Willard Yoder, lead and bass respectively, and the owners of a dairy farm, plus bari Rufus Kenagy, also a farmer, and tenor Everett Roth, a carpenter, were the original members of the group.

They qualified for their first international contest in 1976 in San Francisco, finishing in 21st place. The next eight years were a roller coaster – in the top ten three times, out of the top ten twice and laying out three years when the wives proclaimed, “We’re not spending this vacation at a contest!”

Meanwhile, Rufus had dropped out in 1977 and was replaced by Jim Bagby, an Associated Press newsman from Kansas City who had coached the quartet since 1972. Everett was replaced by Don Kahl, a respiratory therapist in 1983.

Finally in 1985 at the Minneapolis convention, the RR4 earned fifth-place bronze medals. The following year, to their own surprise more than anyone else”s, they jumped to the number one spot.

Shortly thereafter Don moved to Dallas Texas, and son/nephew Wesley Yoder stepped in for several more shows.

1985 – The New Tradition

Tenor: John Sherburn
Lead: Dan Jordan
Bass: John Miller
Bari: Bob Gray, Jr.

The New Tradition – perhaps better known to thousands of barbershoppers as the Marx Brothers’ clones – won the gold in 1985. All are experienced international competitors and medalists: tenor John Sherburn (Zeppo in their famous impersonation), lead Dan Jordan (Chico), bari Bob Gray Jr. (Harpo), and bass John Miller (Groucho).

The quartet is in a sense a spin-off of The Grand Tradition, international bronze medalists in 1980, ’82, and ’83, of which Dan and Bob were members.

John Miller had won the gold in 1979 as bass of Grandma’s Boys, and John Sherburn sang with the Crown City Good Time Music Co. , five time semi-finalists, and the Dapper Dans of Disneyland, among other quartets.

Although the Marx Brothers routine is their best known, the always-entertaining foursome has appeared as leading characters of Star Trek, and as Charlie Chaplin, W. C. Fields and Laurel and Hardy, and other roles.

The quartet retired in 1989, when Sherburn replaced Larry Wright as lead of the 139th Street Quartet. Bobby Gray continued singing as bari of the popular and perennial top ten quartet Saturday Evening Post. Dan Jordan went on to sing for several years as lead of the popular show foursome, The Perfect Gentlemen.

 

 

 

1984 – The Rapscallions

Tenor: Dave Smotzer
Lead: David Wallace
Bass: Jeff Oxley
Bari: Tim Frye

The Rapscallions, formed just four years earlier by four Bowling Green State University students, amazed the barbershop world when they won the 1984 international quartet championship in St. Louis.

The quartet, in fact, placed in the top ten internationally each of the three years they competed: 9th in 1982, 6th in ’83, and first in 1984.

Tenor Dave Smotzer, lead Dave Wallace, bari Tim Frye, and bass Jeff Oxley formed the quartet in 1980 while working summer jobs in Cedar Point, Ohio to earn money to return to Bowling Green U.

All were members of the A Cappella Choir and the Men’s Chorus at the school and had other musical training. Jeff had sung lead roles in campus productions of Man of LaMancha and The Marriage of Figaro and was studying for an operatic career.

Graduating in 1982, most of the foursome had moved on to business careers by the time they won the gold. Both Smotzer and Wallace were insurance agents and Smotzer was directing Cincinatti’s Southern Gateway Chorus. Tim was a school teacher and music director in Wayne County, Ohio, and Jeff was continuing his musical training at the Cincinnati School of Music. He would go on to win two more gold medals (Acoustix, 1990 and Max Q, 2007).

 

 

1983 – Side Street Ramblers

Tenor: Keith Houts
Lead: Brian Beck
Bass: Earl Hagn
Bari: Dennis Malone

When the Side Street Ramblers of Dallas captured the 1983 international championship in Seattle, lead Brian Beck collected his second gold quartet medal. Bass Earl Hagn, however, was singing in his first quartet.

Discrepancies in experience and height (Earl was 6’5 while Brian was 5′ barely) seem to typify the quartet’s ups and downs, ins and outs, and backs and forths on their long road to the gold.

Tenor Keith Houts, bari Dennis Malone, and then-lead Jim Law were seeking a bass in 1975 when Dennis’ company suddenly transferred him to California, with only a slight chance he would return.

The other three found Earl (a guest at a Vocal Majority Chorus rehearsal. Dennis did return, and the Ramblers won the 1976 Southwestern District Contest. They placed 28th at the 1977 convention, qualified for the 1978 contest – and then Jim Law moved away. Because Jim had moved, they had to skip the competition in Cincinnati.

Their coach, Bill Thornton, who with Brian had won a gold medal in Dealer’s Choice, stepped into the lead slot, and the Ramblers jumped to 7th place in 1979, repeating that finish in 1980. Bill then moved to Oklahoma City, and Brian became the Ramblers’ third lead. The results were third-place bronze medals in both 1981 and 1982, and finally, in 1983, the gold.

 

 

1982 – Classic Collection

Tenor: Curt Hutchison
Lead: Larry Wilson
Bass: Terry Heltne
Bari: George Davidson

The story of the 1982 International Quartet Champion Classic Collection is pretty unique in many respects.

It all began in Hastings Nebraska in 1968. Original baritone, and long-time barbershop enthusiast, “Papa Joe” Heltne, and his son Terry invited two aspiring singers, one a natural tenor and the other an operatic vocal major from the Hastings College choir, to join them for an evening of singing. Before it was over, Larry Wilson, a lead, and Curt Hutchison, a tenor, agreed that this foursome, originally called “Three Lads and a Dad,” should stay together. They worked hard and rose in the ranks of the Central States District. After a short hiatus due to Larry’s four year stint in the Navy, they changed their name to “Classic Collection”, and eventually found themselves the winners of the 1975 Central States District Quartet Championship.

A Unique “Transplant” to Colorado
Greater economic opportunities in nearby Denver, Colorado would beckon the three younger men in October of 1975. All three eventually moved from Hastings to Denver and soon found themselves members of the Denver Mile-Hi barbershop chapter. From previous Central States District quartet contests, they were already acquainted with young tenor, George Davidson. Over the next months, they became good friends as George made the necessary adjustments to learn to sing a “mean” baritone, filling in for the “woodshedding” trio, itching to “bust one” after chapter meetings. Eventually the distance and an unfortunate bout with cancer made it necessary for Joe (who was still living in Hastings) to retire. With his unqualified blessing, George replaced the ailing Papa Joe in October, 1976. Thus began another unique chapter in the history of their barbershop lives.

A Unique “Double” Quartet Championship
In 1977 Classic Collection won another district contest and became the first quartet champion of the newly created Rocky Mountain District. By achieving the fledgling district’s highest honor at its very first convention, they became the ONLY Society quartet ever to have captured the championship in TWO different districts.

Unique Dedication and Perseverance Pays Off
Harkening back to their early quartet days, this hardworking, conscientious quartet strived each year to hone their skills, and dramatically improve their scores. After 6 years on the International contest stage, (rising through the ranks that started at 32nd place in 1976) they had stuck with it long enough and worked hard enough to realize their dream. In 1982 they achieved the coveted gold medal and lifetime honor of International Quartet Champion.

A Unique Record Breaking Win
They won the contest in GRAND style. They earned the largest winning margin (296 points) in the 43 year history of the competition — a proud mark that stood another 11 years (until 1993 when the Gas House Gang’s margin of victory was 5 points greater — 301 pts.).

A Unique Standard of Longevity
Not willing to rest on their laurels, the quartet’s unique style and sound , extraordinary musicianship, outstanding arrangements, showmanship and solid reputation for being not only committed Barbershoppers, but four great guys carried them through one of the longest active and uninterrupted singing careers of any international champion. With a very active schedule, they went on to thrill audiences around the US, Canada and Europe from 1982 to 2003, without stopping.

2007 not only marked their 25th anniversary of winning the gold medal but their 31st anniversary as a quartet – with the same personnel.

A Unique Friendship
While many of today’s quartets must travel across the country and even across national borders to get together – during the heyday of the Classic Collection they all lived within a 10 minute drive of each other in the Denver area. The Classic Collection has truly become a band of brothers in their time together.

Not only have they made great music and captivated many audiences worldwide, they very naturally have become best friends. Although recently, opportunities have spread them geographically apart and into other parts of Colorado and neighboring states, these four guys still get together whenever there is an opportunity, much to the delight of their audiences, friends and family. Not surprisingly, the “magic” is still there.

The Quartet Today — Where Are They Now?
Terry, George and Curt still live in the Denver area. George, the baritone, retired after 34 years with the premier Denver area school district. Curt, tenor, retired from a long and distinguished career as an insurance underwriter. Larry now lives and works in Phoenix Arizona.

Their friendship and legacy lives on in current Society and Sweet Adeline contests with many of their arrangements sung still to this day on the International stage. Their sweet harmony, commitment to the craft and incredible personality not only as a quartet, but as individuals, may never be matched.

 

 

1981 – Chicago News

Tenor: Ray Henders
Lead: Butch Koth
Bass: Tom Felgen
Bari: Greg Wright

Chicago News, when they won the international championship in 1981, seemed to have come almost “out of the blue.”

True, they had placed second in 1980 and 8th in their first competition the year before, but compared to foursomes that struggled a dozen years to reach the gold, the “News” was a rash newcomer.

In fact, however, the 1981 victory gave tenor Ray Henders, lead Butch Koth, bari Greg Wright and bass Tom Felgen a total of 19 international medals – 7 bronze, 7 silver, and 5 gold – won in four different quartets. For Tom, bass of the 1965 champion Four Renegades, this would be his second gold.

Tom and Greg had been singing in quartets since they were about 10 years old, while Butch was a singer in high school. Ray, however, had been quartetting for “only” about 25 years.

Among the four of them they had performed with dozens of quartets. Ray’s quartets included the Midnight Oilers, one of the first groups to perform overseas for U.S. servicemen. Ray also sang with Soundtracks, bronze medalists in 1974. Greg and his brother Larry (then lead of 139th Street Quartet) sang together in the popular Sundowners, twice silver medalists, and later with a professional pop-singing group. Butch was lead of the Landmarks, Illinois District champs and international competitors.

With these experienced backgrounds, the Chicago News became an “overnight sensation” in 1981>.

1980 – The Boston Common

Tenor: Kent Martin
Lead: Rich Knapp
Bass: Terry Clarke
Bari: Larry Tully

Formed, quite literally by chance, at a mutual friend’s home in 1971, The Boston Common (Kent Martin, tenor; Rich Knapp, lead; Larry Tully, bari and Terry Clarke, bass) remained active through the mid 1990s, performing in 46 states and five foreign countries, on network radio and television shows (including NBC’s TODAY SHOW, the CBS AM AMERICA, Irish television, BBC-TV, Germany’s WDR, and Canada’s CBC-TV) and a host of regional radio and television programs.

In addition, the group was featured by UPI and numerous magazines and newspapers. They’ve appeared on some of the most renowned stages in North America such as Carnegie Hall, Rockefeller Center, and Canada’s National Arts Center. They’ve performed with the Boston Pops, thePortland Symphony, and on one occasion even sang as back-up for a major recording artist (Chip Taylor’s album “Some of Us,” Warner Brothers).

Key to the group’s popularity is their easy, musical style and stereo-like sound, which they developed in their early days of “woodshedding.” Encouraged by this sound the four literally took to the street, singing on Boston street corners for appreciative couples and students.

“You could say we took quartet harmony back to the streets where it flourished at the turn of the century and through the 1920’s in the United States”.

“Needless to say we were encouraged by the reaction we were getting from the people who enjoyed it.” Like any fledgling musical group, the quartet initially sang anywhere people would listen — in coffee houses, Harvard Square, outdoor malls, and other public gathering spots like historic Boston Common. Hence, their name.

During the years they competed, 1971-1980, the group did not help itself by openly criticizing the SPEBSQSA’s system of judging. It was (and remains) the practice for competition judges to serve as coaches for the very quartets they eventually critique for final scoring. Recognizing this practice to be a monumental hindrance to both impartiality on behalf of the judges and creativity among quartets (the trend eventually results in the judge-coached quartets to sound similar to one another), the bass of the quartet openly attacked the questionable practice.

The quartet went so far as to protest by NOT competing in the finals of the 1976 International competition. A move which many speculate prevented them from winning the Championship in ensuing years. Not that they cared, however, for the quartet sang primarily for their own enjoyment and for audiences who appreciated their efforts.

After receiving a silver in 1979, the members agreed that 1980 would mark the last year they as a quartet would compete in International competition. Imagine their surprise when, in Salt Lake City, Utah, they were finally awarded the highest honor a barbershop quartet can achieve: International Champions.

However they would not be able to enjoy their success for long. While on the way to work one morning in 1982, the lead Rich Knapp, was involved in a devastating automobile accident which not only left him totally deaf in one ear, but unable to tune.

The quartet then turned to Tommy Spirito, lead of the popular, two-time silver medalists Four Rascals and Knapp’s inspiration, to fill in. They performed on limited basis with Tommy. Eventually Rich recovered from his hearing loss enough to come back to sing lead again. The BC performed on the AIC Show in 2005 to mark the 25th anniversary of their historic win. They retired shortly thereafter.

1979 – Grandma’s Boys

Tenor: Don Barnick
Lead: Hank Brandt
Bass: John Miller
Bari: Jay Giallombardo

In the summer of 1968 a high school quartet from Wilmette and Glencoe, IL rode a Greyhound bus to Cincinnati, checked into the “Y,” sat in the back row at the international contest and listened in awe as quartets like the Western Continentals, Mark IV, and Golden Staters won the top medals. They had recently named the quartet, and 11 years later, when three of the original four ran onstage in Minneapolis to claim their own gold medals, it still bore the name Grandma’s Boys.

Jay Giallombardo (bari), Hank Brandt (lead), John Miller (bass), and Jeff Calhoun (tenor) were singing in three different high school quartets when they first got together in the spring of 1968.

Their determination to stick together was rigorously tested over the next few years. John and Jay went off to college (in Peoria and Kansas, respectively); a year later Hank and Jeff enrolled in Dartmouth in New Hampshire, spreading the quartet over 1,500 miles. Somehow they continued to rehearse and give shows (usually at the same time, Hank later admitted).

Then Jeff moved to Denver and was replaced by Jim Sikorski, and the quartet jumped from 10th place in international competition in 1974 to 3rd place in 1975. But Jim had to drop out, and Mac Huff, then a Society music man, recommended Don Barnick of Cleveland. After only a few weeks of rehearsals with a new tenor, Grandma’s Boys placed sixth in the next year’s contest. The combination proved the right one, however; in 1978 the quartet won the silver medals, and in ’79 they walked offstage with the Landino Trophy and title of International Champions.

1978 – Bluegrass Student Union

Tenor: Allen Hatton
Lead: Ken Hatton
Bass: Rick Staab
Bari: Dan Burgess

As teenagers, Allen Hatton, Ken Hatton, Dan Burgess and Rick Stabb began singing together as The Bluegrass Student Union quartet in December of 1973, They were active members of the International Champion Chorus, The Louisville Thoroughbreds. Their first year together resulted in a first place finish in the fall Cardinal District (Kentucky and Indiana) contest.

During this time, they also built a repertoire of arrangements “borrowed” from famous quartets of the time, such as the Citations, the Suntones, the Club House 4, et al. Singing with the perennial champion Thoroughbreds provided the fledging quartet plenty of encouragement, as well as opportunities to perform on “the big stage.”

In 1975, the “boys” first met their coach Don Clause, who recognized what he called “simpatico” within the group. Don introduced BSU to then unknown arranger and future International President of the Barbershop Harmony Society Ed Waesche, who provided the ensemble’s first original arrangements. BSU also enjoyed the benefit of Don’s technical knowledge and fine interpretive skills, which resulted in the quartet’s quick rise to the top of International Competition. The quartet finished fourth in 1976, sixth in 1977, and won it all in 1978 with its four singers ranging in age from 22 to 24.

After winning, the Bluegrass searched for a new mission and rediscovered the true joy of entertaining through concerts and recordings. The quartet subsequently became known as one of a very few champion quartets who did its best work after winning the gold. They innovated with adaptations of “Swing Era” music to the barbershop style, not only by Ed Waesche, but also by Walter Latzko, who had achieved fame through his arrangements for the famous professional quartets, the Buffalo Bills and The Chordettes. By focusing on all aspects of their performance, BSU’s “show package” became one of the most popular in the Society’s history. Also, with the help of their expert recording engineer, Bobby Ernspiker, BSU simply outperformed everybody else where quartet recordings are concerned.

For twenty years, even while spending so much time in the studio, the quartet continued to travel and perform, covering hundreds of thousands of miles in 46 states and several foreign countries and entertaining millions of quartet fans, including President Ronald Reagan at the White House. In 1992, the group decided to take a sabbatical, to focus on careers and families. After being contacted by members of the “Harmonet”, an internet barbershop harmony discussion group, the quartet was persuaded to re-release its recordings in a complete works 3-CD set, with extensive liner notes.

As a result, there was a strong resurgence of interest in live performances by the Bluegrass, and so they have been lured back to the boards. They recently retired again and released a DVD of performances and remain close friends – the same original foursome after over 25 years of “good close harmony”.

1977 – Most Happy Fellows

Tenor: Bob Hodge
Lead: Larry Hassler
Bass: Ken Hawkinson
Bari: Jack Lyon

Seven has to be the lucky number of the Most Happy Fellows, who were crowned international quartet champions in Philadelphia in 1977, one of only 18 quartets who won the gold the first time they medaled in international competition.

This edition of the quartet was seven months old; baritone Jack Lyon had only joined in January. In the three previous years, the “Haps” placed 21st, 14th, and 7th, all numbers divisible by 7. On the 7th day of the 7th month of the 77th year, they were the 7th contestant to appear in the finals – and won the gold. The plane that had brought them to Philadelphia was – what else – a Boeing 747 (of course).

Bass Ken Hawkinson was the only member of the original foursome by the time it reached the top. He had organized and named the group in 1967 with the only-half-prophetic comment that “this will be a fun quartet, not competitive!” Bob Hodge came along about a year later, replacing Harry Aldrich as lead. Bob moved to tenor when lead Larry Hassler joined in 1971.

In January 1977, Jack replaced baritone Bob Jones. One of the unusual strengths of the Haps was that Bob, Larry and Jack (and now Tom), all experienced barbershoppers, could (and did…and still do!) switch parts at will. After an early ’90s, three-year stint with Matt Rice on bass, the Haps’ configuration changed one more time, in 1996, when Tom Wilkie joined the group.

Although long an entertaining foursome, thanks in large part to Larry’s comedic talents, the Haps’ popularity soared after they became champions and introduced their best known personalities to the audience at the 1980 AIC Show: Dorothy, the Tin Man, the Scarecrow, and the Cowardly Lion from The Wizard of Oz.

In 1989, Most Happy Fellows, the first international medalists from the Evergreen District, were inducted into the Evergreen District Hall of Fame.

1976 – The Innsiders

Tenor: Mike Cox
Lead: John Devine
Bass: Tom Pearson
Bari: Guy McShan

The Innsiders of Houston, 1976 international quartet champions, may have more alumni than the University of Texas. In the Southwestern District they’re an institution older than the Vocal Majority Chorus.

Only four, of course, won the gold medals in San Francisco, but they figure they owe at least an occasional wearing of the medallions to a host of other guys – most of them tenors. Those four were Mike Cox, tenor; John Devine, lead; Guy McShan, bari; and Tom Pearson, bass. That particular combination first got together in September 1971 and six weeks later placed third in the district quartet contest. From that point it was a steady rise: 15th at the international contest in 1972, district champs in 1973, a quantum leap to 4th-place internationally in 1974, silver medals in 1975, and the top of the heap in 1976.

At that time Mike worked for an LTV subsidiary at the NASA Johnson Space Center; John was with Texaco, Guy with General Electric, and Tom had become an orthodontist. Only John and Guy, however, were original members of the Innsiders, which they formed shortly after John arrived in Houston in 1967. (By 1970 John also was director of the Tidelanders Chorus.) The first tenor and bass were John Wiggs and Dick Oury, respectively.

At a reunion of the “Innsiders Alumni Association” in 1982, it was figured that the history of the 1976 champs, both before and after winning the gold, covered eight different versions of the quartet.